Moses Marin will be Pyrrhus in “Ermione” Y “Goffredo” in Arminda at the Wildbad Rossini Festival

MoisesMarin

The tenor from Granada Moses Marin, one of the young voices with the greatest projection in our country, will star this summer in a double debut at the Belcanto Opera Festival 'Rossini in Wildbad' with two of the most demanding roles in the repertoire: on the one hand he will be Pirro in the opera Ermione, under the musical direction of Antonino Fogliani and staged by Jochen Schönleber, the days 16 Y 23 of July. further, will play Goffredo in a concert version of another Rossinian drama, Armida, under the musical direction of José Miguel Pérez Sierra, that can be heard every day 15 Y 20 of July. Both operas will be performed by the Krakow Philharmonic Orchestra and Choir.

The two titles will be previewed at the Royal Opera Festival in Krakow (Armida the 3 July and Ermione the 10). Premiered at the San Carlo Theater in Naples on 27 March 1819, Ermione is today considered a stroke of genius by Rossini, although it suffered a resounding and painful failure at its premiere. The little success of this drama set in the Trojan War was due in part to its tragic ending, that was not to the taste of the public at the time and in part to the music, innovative and revolutionary for its time. The play, which features a libretto by Andrea Leone Tottola based on Andromache by Jean Racine, was not recovered until its revival in 1987 at the Pesaro festival. It is an opera that requires top-level singers: Moisés will debut with the role of Pirro, son of Achilles and king of Epirus; He will be accompanied by Serena Farnocchia as Ermione and Patrick Kabongo as Orestes.

The stage direction is provided by Jochen Schönleber, artistic director of the Bad Wildbad festival. Meanwhile, Armida had its first performance at the Teatro San Carlo in Naples on 11 November 1817 and features a libretto by Giovanni Schmidt based on scenes from Torquato Tasso's epic poem Jerusalem Delivered., inspired by events of the First Crusade. Armida requires six tenor roles - and one bass baritone- and it is also one of Rossini's most difficult titles. Moisés Marín will share a scenario with Ruth Iniesta as Armida, the only female role in the play. At the Krakow preview, Moses plays Goffredo and also Ubaldo, a whole vocal tour de force for the man from Granada, which will be supported by the solid leadership of Miguel Pérez-Sierra. Both Armida and Ermione will be recorded on CD and DVD for the Naxos Label's Rossini Complete Edition.

Moses Marin: an intense season 22/23
This last paper, Pyrrhus, son of the warrior Achilles and the princess Deidamia, It is considered one of the cornerstones of the repertoire of the so-called Rossinian Baritenore, where the roles that the "Swan of Pesaro" wrote for the tenor Andrea Nozzari are framed. The name baritenor is used to refer to a type of tenor voice that acquired special importance in Rossini's operas and is characterized by a dark lower register and a resonant upper register and with enough versatility to sing coloratura..

The voice of Moisés Marín has a series of characteristics that are difficult to find in the same artist. A very wide tessitura of three octaves is joined by a dark color and a natural agility.. This fact, combined with an incessant and constant search for technical and interpretive excellence, lead him to investigate new artistic and repertoire challenges., like this double debut at the Rossini festival with two of the most demanding roles in the repertoire. Right after this milestone, Moisés will venture into another of the roles of Baritenore par excellence, Polijo en Organization, papel que Bellini escribió para Giandomenico Donzelli.

This will be followed by an intense season in the main Spanish opera houses: at the Liceu as Spoletta in Tosca, at the Palau de les Arts in Valencia as Melot in Tristan and Isolde, and as Pang in the Turandot of the Teatro Real. All this makes up a transversal season with a wide repertoire that frames Moisés Marín as a versatile artist., deploying all its technical and artistic resources. And is that, beyond his international career, In recent years, the singer from Granada has become a regular in all Spanish lyrical seasons and a benchmark for some of the most important character tenor roles, such as goro, incredible, Spoletta o Helmsman.

Moses Marin: strength and versatility
since in the season 17/18 he finished his training at the Center de Perfeccionament of the Palau de les Arts, Moisés Marín has become a regular in Spanish lyrical seasons, having presence since then in the Royal Theater, Gran Teatre del Liceu, ABAO, the Campoamor theater in Oviedo and the Maestranza theater in Seville. Goro en Madame Butterfly, Jacquino en Fidelio, Albazar in El Turco in Italy, Incredible en Andrea Chenier, Steuermann in The Flying Dutchman, among others, make up its intense activity in recent Spanish seasons. Among his future commitments, his time at both the Teatro Real and, the Lyceum, ABAO and Seville, as well as the aforementioned debut as Pollione in Norma. Some of his past engagements include: Percy in Anne Boleyn by Gaetano Donizetti under the baton of Fabio Biondi and Europa Galante in Italy, Dorvil in The Silk Scale by Gioachino Rossini under the baton of Alberto Zedda, Duca in Rigoletto, Nemorino in The Elixir of Love, Don Ottavio and Don Giovanni, Selimo in Rossini's Adina, Pang and Turandot; and his time at the Auditorium Parco della Musica in Rome, the school teacher in The Cunning Little Vixen by Leoš Janáček and Gherardo in Gianni Schicchi by Puccini.

He has been a member of the Perfection Center of the Palau de les Arts in Valencia. In this two-year period as a regular at Les Arts, he has been a regular in the theater's programming, performing various roles in operas such as The Sicilian Vespers, Philemon and Baucis, Lucrecia Borgia, Werther, Madame Butterfly, Peter Grimes, La Traviata, Oviedo y Mario, The world of the Moon and Tosca. Having the opportunity to work technically and musically with artists like Placido Domingo, Fabio Biondi, Roverto Abbado, Mariella Devia, Gregory customer, Emilio Sagi and Davide Livermore. He is the winner of the 1st Prize in the International Singing Competition City of Logroño and special prize of Zarzuela. He has been a student of the bass-baritone Carlos Chausson and the soprano Renata Scotto. He has been a member of the Opera Studio Ensemble of the Accademia Nazionale di Santa Cecilia in Rome and from his beginnings as a flutist at the Victoria Eugenia Conservatory in Granada he began studying with the soprano María del Coral Morales. He is currently under the tutelage of the acclaimed under Eric Halfvarson.