Canarian soprano Davinia Rodríguez debut this June in Teatro Campoamor of Oviedo and it does so at the closing of the Festival of Spanish Lyrical Theater of the Asturian capital with a character she knows well: Luisa Fernanda, the protagonist of the famous operetta of the same name by Federico Moreno Torroba libretto by Federico Romero and Guillermo Fernandez-Shaw. "The score of this zarzuela has nothing to envy to that of an opera", says the Spanish singer, the work which debuted at the Palau de Les Arts in Valencia 2014 sharing the stage with Placido Domingo. "The melodies are incredible and I have a couple of beautiful duets. in Oviedo, also debuting in this beautiful city, production will Emilio Sagi that I did in Valencia, a luxury of elegance and full of great theatrical ideas ", assures.

The montage, whose germ was born in La Scala of Milan 2003 and the following year took shape at the Washington Opera, It is one of the most acclaimed works of Sagi, a mythical name in the field of Spanish musical theater. "Collaborating with Emilio can approach a giant cultural heritage", says Davinia Rodríguez. "He always knows how to fix a scene, and with the utmost respect for the author and the performers ".

Among the future commitments of the Spanish singer he figures his return to Real Madrid Theater The pirate Bellini and his debut as Elisabetta Roberto Devereux Donizetti at the Los Angeles Opera with Placido Domingo and.

Davinia Rodríguez / Dress: Juan Roga / Photo © Malmo

Davini Rodríguez

The agenda Davinia Rodríguez continues to consolidate on the international circuit. He is having debuted in February as the protagonist of the opera Thaïs by Massenet at the China National Center for the Performing Arts in Beijing (NCPA), Canary diva back in November that scenario this time to get into the skin of Donna Elvira, one of the women deceived by Don Juan, the Spanish erotic myth that inspired Mozart for his great Don Giovanni. "I have a great memory of my debut in this amazing theater in the capital of China", said the singer, "Where I was struck by how attentive and caring which is the Chinese public, and now I return with another character who I love and who already sang at the Festival dei Due Mondi in Spoleto (Italy)”.

The Spanish interpreter knows very well the work, as it also has in the other great repertoire deceived by Don Juan, Donna Anna, who sang in Bilbao. "These are two characters who complement each other and each has great moments in this masterpiece of the history of opera is Don Giovanni". Finally he added that "what they say that Mozart again now and then is very healthy for the voice is a great truth, because it helps you stay in good condition, even more so if I come to sing more demanding as Verdian roles are roles, they have to contend with orchestras much larger than the Mozartian ".

Davinia Rodriguez just won the Verdi Festival in Parma, the most important dedicated to the work of Italian composer, nothing less than tucked into the skin of the dreaded role of Lady Macbeth, which debuted in Vienna in 2016. Now, in this new return to the Mozartian repertoire, will perform in Beijing days 27 Y 29 November and 1 from December. Later, he 28 Y 29 from December, They expect him two New Year concerts with the Symphony of Las Palmas Alfredo Kraus Auditorium in the capital of Gran Canaria.

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Davinia Rodríguez

The versatile Spanish soprano Davinia Rodríguez again get into the skin of a Mozartian character, this time in the season bilbaína ABAO-OLBE:
Donna Anna will be the Don Giovanni mozartiano the Bilbao Opera proposes day 18, 21, 24 Y 27 February. "It's always healthy again Mozart”, Canary says singer, "Because their music and the way they are written vocal lines of his characters have such perfection and freshness that will do very well to the voices".

Davinia Rodríguez, already known to the public Bilbao, It is "very happy" to return to sing in this artistic season, "One of the most important in Spain; in Bilbao, Besides, I am very happy, It is like coming home ", points. Now it does after incorporating to its repertoire in recent weeks to two iconic characters such as Lady Macbeth in Verdi's Macbeth considered among the most complex and difficult of his rope- in Vienna and Nedda, de Clowns, de Leoncavallo, in Turin. "Como Donna Anna, this is characterful and women who know how to function in their respective environments. Of course the Lady and Nedda not end anything right, but neither Donna Anna, because although he avenges the death of his father, the Comendador, it runs out of her seducer beloved ".

Don Giovanni de Bilbao, A production of Jonathan Miller, will feature musical direction Keri-Lynn Wilson and with Davinia Rodriguez lead the cast Simon Keenlyside, Simon Orfila Y Maria Bayo.

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www.daviniarodriguez.com

Davinia Rodríguez

The characters that the Canarian soprano has gradually incorporated into her repertoire Davinia Rodríguez have been transformed into great personal triumphs. The latter has been the last October in Vienna, when it debuted the role of Lady Macbeth impossible, of the opera Macbeth Giuseppe Verdi, next to Placido Domingo. A success confirmed both by the critics –according to which she created “a role that will remain in the memory” - and by the public who rewarded her with a long standing ovation at the premiere and in each of the performances performed at the legendary Theater an der Wien (see attached dossier).

The new year will open for the Spanish singer with her return to Italy, this time to debut the role of Nedda de Pagliacci in her first appearance on stage at the Teatro Regio in Turin, one of the most important in the transalpine country, occasion in which it will be directed musically by Nicola Luisotti. From the popular title of Leoncavallo, the Canarian soprano will sing four performances between the days 11 Y 22 from January.

Important performances await her later, among which stand out his return to the season of ABAO-OLBE in Bilbao to debut the iconic role of Donna Anna from the Mozartian Don Giovanni, her debut in the title role of Maria Stuarda from Twelve at the Carlo Felice Theater in Genoa, Dvořák's Te Deum next to the Philharmonic Orchestra of Gran Canaria and his return to the Teatro San Carlo in Naples with his acclaimed Amelia Grimaldi by Simon Boccanegra.

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Davinia Rodríguez

He 13 November the career of the Spanish soprano Davinia Rodríguez gives a giant step: the addition to its repertoire of Lady Macbeth, of the opera Macbeth Giuseppe Verdi, considered one of the most complex and challenging roles in the whole repertoire. The Spanish singer will debut the character in Vienna, en el Theater an der Wien, nothing less than the side Placido Domingo playing Macbeth. "Surely that is a complex role, I've been preparing for over a year with my teacher, Silvia Sass, one of the great Ladies of recent decades ". Davinia Rodríguez, in Vienna I had sung "I due Foscari", He feels "happy to return to this capital of music, now with this fascinating opera by Verdi. My paper, apart from being very demanding technically, it is also very demanding on the plane actoral, since she, Lady Macbeth, is a woman whose ambition has no limits, pushing her husband even murder to get more political power. Like all Shakespearean character, is, in any case, fascinating, and a challenge for any performer '. The Canarian singer will offer the iconic character 3 day functions 13, 17 Y 20 of November, with all tickets sold half a month before the premiere, and in a Viennese theater production to be directed musically by Bertrand de Billy and stage director whose signature Roland Geyer.

The international career of Davinia Rodriguez is unstoppable in a year that also highlight his recent wins debut at the Gran Teatre del Liceu with Simon Boccanegra, in Verdi, -coinciding with the 50 anniversary of the debut of Placido Domingo in Spain- or participation last in the opening of the Spoleto Festival summer playing Countess Almaviva in Le Nozze de Figaro, from Mozart. In season 2016-2017 await you, among other commitments, his return to the season ABAO-OLBE in Bilbao, this time as Donna Anna in Don Giovanni, Mozart, his return to the San Carlo Theater in Naples with his acclaimed Amelia Grimaldi Simon Boccanegra and his debut in the title role of Maria Stuarda at the Teatro Carlo Felice in Genoa.

Davinia Rodríguez

He 13 November the career of the Spanish soprano Davinia Rodríguez gives a giant step: the addition to its repertoire of Lady Macbeth, of the opera Macbeth Giuseppe Verdi, considered one of the most complex and challenging roles in the whole repertoire. The Spanish singer will debut the character in Vienna, en el Theater an der Wien, nothing less than the side Placido Domingo playing Macbeth. "Surely that is a complex role, I've been preparing for over a year with my teacher, Silvia Sass, one of the great Ladies of recent decades ". Davinia Rodríguez, in Vienna I had sung "I due Foscari", He feels "happy to return to this capital of music, now with this fascinating opera by Verdi. My paper, apart from being very demanding technically, it is also very demanding on the plane actoral, since she, Lady Macbeth, is a woman whose ambition has no limits, pushing her husband even murder to get more political power. Like all Shakespearean character, is, in any case, fascinating, and a challenge for any performer '. The Canarian singer will offer the iconic character 3 day functions 13, 17 Y 20 of November, with all tickets sold half a month before the premiere, and in a Viennese theater production to be directed by Bertrand de Billy musically and stage director whose signature Roland Geyer.

The international career of Davinia Rodriguez is unstoppable in a year that also highlight his recent wins debut at the Gran Teatre del Liceu with Simon Boccanegra, in Verdi, -coinciding with the 50 anniversary of the debut of Placido Domingo in Spain- or participation last in the opening of the Spoleto Festival summer playing Countess Almaviva in Le Nozze de Figaro, from Mozart. In season 2016-2017 await you, among other commitments, his return to ABAO-OLBE season in Bilbao, this time as Donna Anna in Don Giovanni, Mozart, his return to the San Carlo Theater in Naples with his acclaimed Amelia Grimaldi Simon Boccanegra and his debut in the title role of Maria Stuarda at the Teatro Carlo Felice in Genoa.

www.daviniarodriguez.com

Davinia Rodríguez

Davinia Rodríguez continues to develop his professional career with great success abroad. The Canarian soprano will return to Italy this summer to inaugurate the Spoleto Festival embodying the character of the Countess in the masterpiece of Mozart The Marriage of Figaro. "This is a character that I have a lot of affection for", says Davinia Rodríguez, «A role that I already played in Sassari in 2012 and I love being able to return to after a period in which I have been very focused on my new repertoire, with large-scale roles. It is always healthy for the voice to return to Mozart ».

The Spanish singer just got a big hit as Simon Boccanegra's Amelia in her debut at the Gran Teatre del Liceu of Barcelona next to Placido Domingo. «In addition, they were very special functions, since Plácido celebrated the 50 years of his debut in Spain and for me it was an honor to accompany him ».

Later, one of the most important debuts in the career of any soprano awaits: that of the character of Lady Macbeth from Verdian Macbeth, with which he will open the season of the Theater an der Wien in Vienna (Austria), always with Placido Domingo.

Info: http://www.daviniarodriguez.com