He Monday 27 November at 19.30 hours, National Dissemination Center Musical (CNDM) concert series opens with the German baritone Matthias Goerne as "Resident Artist" center for the season 17/18. This first concert, in the Symphony Hall of the National Auditorium, It is co-produced with the Community of Madrid Orchestra (BARREL), and it will star the ORCAM with his homeroom teacher, Victor Pablo Pérez, in front. The program consists of the Ninth Symphony Bruckner and Kindertotenlieder of Gustav Mahler.
Throughout the season Goerne will participate in five concerts more: we can enjoy his art on three occasions in the Lied XXIV of the Teatro de la Zarzuela, where it is already a regular visitor and is possibly one of your favorite artists, because he has acted in 15 occasions. Always with particularly demanding programs, its amazing proposals in a male voice (as schumanniana collection Woman's love and Life) reveal its permanent concern in this genre. This season will address the three major cycles Schubertiads (The Schone miller, Winterrreise Y Schwa
Matthias Goerne, natural de Weimar (Germany), He studied with Hans-Joachim Beyer, Elisabeth Schwarzkopf y Dietrich Fischer-Dieskau. He collaborates with leading orchestras and conductors in the world in the most important concert halls, opera houses and festivals, as the Royal Opera House, Teatro Real, operas in Paris and Vienna and the Metropolitan in New York. Their roles range from Wolfram, Amfortas, Kurwenal, Wotan and Orest to the main roles of Wozzeck by Alban Berg, Bluebeard's Castle Béla Bartók, and Hindemith's Mathis der Maler. For his recordings have received numerous awards, including four Grammy nominations, one ICMA award and a recently Diapason d'Or. After his legendary recordings with Vladimir Ashkenazy and Alfred Brendel just recorded a series of 11 CDs de lieder de Schubert con Christoph Eschenbach y Elisabeth Leonskaja. From 2001 a 2005 fue profesor honorario de canto en la Music Academy Robert Schumann de Dusseldorf, and in 2001 He was named Honorary Member of the Royal Academy of Music in London.
Highlights of last season concerts with major orchestras in the US and Europe as: Boston Symphony, Dallas Symphony, Philadelphia Orchestra, Chicago Symphony, Los Angeles Philharmonic, San Francisco Symphony, Pittsburgh Symphony, Berlin Philharmonic, Orchestre de Paris y Philharmonia Orchestra London, as well as a series of recitals with Leif Ove Andsnes songs and Markus Hinterhäuser in Dallas, Paris, Brussels, Milan, Madrid, London and the new concert hall in Seoul LOTTE, among many other places. He has made a world tour singing Winterreise with the famous William Kentridge and another with the Freiburg Baroque Orchestra by major European cities. further, Goerne made his debut as Jochanaan (Salomé) at the Vienna State Opera as Wotan (Siegfried) version in concert with the Hong Kong Philharmonic and Jaap van Zweden. In summer 2017, he returned to the prestigious Salzburg Festival, where he sang the title role Wozzeck plus a lieder recital with piano Danii Trifonov.
Bulwark of the vanguard and model of care to Spanish repertoire since its inception in 1987, the Community of Madrid Orchestra (BARREL) It has distinguished itself by presenting some innovative programming, who they have combined the highlights of contemporary design with traditional repertoire. Critics and audiences have unanimously stressed the interest and appeal of the seasons payment of the ORCAM. Cycle of concerts at the National Auditorium has become essential reference in the Spanish musical life and meeting point for a varied audience and dynamic, interested in knowing all the musical currents and frequent premieres including different concert series. The solid guarantee representing subscribers and support the most demanding specialized media expressing relief activity ORCAM, He has extended the scope of its activities beyond the successful season fertilizer Madrid, It is having joined actively in seasons other community settings, like the Canal Theater and the Auditorium Theater San Lorenzo de El Escorial. Their presence has been required in the most prestigious halls and cycles throughout the State, as well as seasons and festivals, Having visited the Teatro Bellas Artes in Mexico D.F. and several venues in Beijing, Shanghai y Hong Kong. In Europe he has performed at famous landmarks such as the Théâtre du Chatelet in Paris, Teatro La Fenice in Venice, Turin Lingotto, Arsenal of Metz and the Konzerthaus Berlin. Italy is a country that frequently hosts performances of ORCAM, signally the Biennale di Venezia and the MITO Festival (Milan and Turin). Similarly it should be noted the performance held at Carnegie Hall New York with Placido Domingo, under the command of Master Miguel Roa.
The close relationship with the lyrical ORCAM is supported by the fact that the orchestra is, Since the year 1998, Titular Orchestra of the Teatro de la Zarzuela in Madrid, which it has placed him as the greatest exponent of the genre, performing in different seasons reruns, replenishments, recoveries, recordings and commissions of various kinds. In the record level, include more than forty recordings made for national and international labels like Emi, German Grammophon, To, Stradivarius, Decca, Naxos, etc. with artists like Placido Domingo, Ainhoa Arteta, Carlos Alvarez and Rolando Villazón, among others. On the podium ORCAM teachers have been invited as prestigious as Fabio Biondi, Harry Christophers, Michel Corboz, Leopold Hager, Jean-Jacques Kantorow, Isaac Karabtchevsky, Lorin Maazel, Paul McCreesh, Shlomo Mintz, Krysztof Penderecki, Alberto Zedda, Libor Pesek and Jose Serebrier. Among the Spanish directors who have worked with include Edmon Colomer ORCAM, Rafael Frühbeck de Burgos, Enrique García Asensio, Miguel Ángel Gómez Martínez, Pablo González, Cristobal Halffter, Jesus Lopez Cobos, Ernest Martinez Izquierdo, Juanjo Mena, Victor Pablo Pérez, Pons and Josep Antoni Ros Marbà.